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Basic Data

The American painter, graphic artist and sculptor Roy Lichtenstein is considered one of the most influential and innovative artists of the second half of the 20th century. His artistic work, together with the work of Andy Warhol, heralded the beginning of the Pop art movement.

Roy Lichtenstein has been known since the 1960s for his large-scale implementation of comic drawings. In doing so, he enlarges the screen dots typical of newspaper offset printing and pairs them with generous areas of color. Today he is famous worldwide for these grid dots and his brushstroke works (“Brushstrokes”). His artworks are among the icons of the 20th century and are represented in numerous important art institutions around the world.

Biography

Childhood & youth

Roy Fox Lichtenstein was born on October 27, 1923 in New York City and grew up in a wealthy Jewish family. His father was a real estate agent and his mother was involved in the art scene, which encouraged Lichtenstein's early interest in art and culture. Even as a child, he showed an inclination towards drawing and creative expression, but his interest in art only developed more strongly during his school years.

Lichtenstein attended the Franklin School for Boys in Manhattan and spent his free time visiting art galleries and museums in New York. After graduating from high school in 1940, he began studying art at Ohio State University, where he experimented with various artistic techniques and learned the craft of painting and drawing. However, his studies were interrupted by the Second World War, when he was drafted into the army in 1943.

During the war, Lichtenstein served in Europe, but returned to Ohio State University in 1946 to complete his studies. After the war, he became intensively involved with American art and absorbed the influences of Abstract Expressionism, which dominated the art world in the 1940s and 1950s.

 

Early career and search for his own style

In the late 1940s and 1950s, Lichtenstein developed his first works, which were strongly oriented towards abstract art. At this time, he worked as an art teacher and produced paintings in the Cubist and Expressionist styles, which, however, did not attract any significant attention. Lichtenstein experimented with various styles and themes, but initially failed to establish himself on the art scene.

The decisive turning point in his career came in the early 1960s, when he began to engage with popular culture. At a time when consumerism, mass media and advertising were increasingly shaping American society, Lichtenstein developed an interest in incorporating these influences into his art. He was particularly inspired by comics and advertisements, which he used as material for his new works.

In 1961, he painted one of his first famous works, “Look Mickey”, a picture based on a comic strip by Walt Disney depicting Donald Duck and Mickey Mouse. This work marked the beginning of Lichtenstein's characteristic style, which would soon become world-famous: large, clear outlines, bold colors and the stylized “Ben-Day dots” pattern, which is based on industrial printing techniques. These dots, together with the comic-like speech bubbles and exaggerated emotions, became Lichtenstein's trademark and characterized his iconic works.

 

Breakthrough and Pop Art

Lichtenstein's work quickly became a central component of the emerging Pop Art movement, which opposed the emotional depth and abstractness of Expressionism and instead took up the themes of mass culture, consumerism and the everyday world. He found his inspiration in everyday motifs such as comics, advertising and popular imagery, thus creating a break with the prevailing art tradition.

One of his most famous works, “Whaam!” (1963), is a large-format depiction of a dogfight from a war comic. With bright colors, dramatic lines and the iconic Ben Day dots, Lichtenstein creates a stylized, almost mechanical depiction of violence and emotion. At the same time, he strips the image of its narrative depth and reduces it to pure visual effects. This play with visual language and reality became a central aspect of Lichtenstein's art.

Other well-known works from this period include “Drowning Girl” (1963) and “Oh, Jeff... I Love You, Too... But...” (1964). These works are based on comics depicting romantic or dramatic scenes, while at the same time drawing on the exaggerated emotions and clichés of popular culture. By enlarging and alienating these motifs, Lichtenstein emphasizes the banality and artificiality of these scenes and turns them into a reflection on the superficiality of consumer society.

 

Development of style and artistic innovations

Lichtenstein's art in the 1960s remained closely linked to the visual language of comics and advertising, but he also experimented with other themes and styles. He created a series of works based on art history, in which he reinterpreted the works of artists such as Picasso, Claude Monet and Mondrian in his characteristic style. These works, such as “Brushstrokes” (1965), play with the idea of abstraction and gestural painting and show how Lichtenstein questions the relationship between original and reproduction, craft and machine production.

In the 1970s, Lichtenstein expanded his repertoire and increasingly turned to sculpture. He experimented with three-dimensional works that transferred his iconic comic-like motifs into space. At the same time, he also explored abstract themes and created works that took the play of colors and shapes to a new level. In his series of mirror paintings and reflection paintings, he explores visual perception and the theme of deception, focusing on the superficiality and artificiality of images.

 

Late years and recognition

In the 1980s and 1990s, Lichtenstein remained a central figure on the international art scene. His works are exhibited in major museums worldwide and he receives numerous awards and honors. Despite his success, he remained artistically active and developed new series dealing with abstract and figurative themes.

A particularly important phase in his late career is his return to themes from art history, as in his series of Interiors and Nudes. In these works, he combines his comic-like aesthetic with classical themes of nude painting and the depiction of space. At the same time, he remained true to Pop Art and continued to reflect on the relationship between art, mass media and consumer culture in his later works.

Roy Lichtenstein died on September 29, 1997 in New York City as a result of pneumonia. Despite his death, his influence on modern art remains unbroken. Lichtenstein is celebrated as one of the most important representatives of Pop Art, whose works radically redefined the boundaries between high and mass culture.

 

Legacy and influence

Roy Lichtenstein's work has had a lasting impact on modern art. He is known for his ability to take everyday and trivial images from mass culture and translate them into an artistic language that is both accessible and profound. His works, which are often humorous, ironic and playful, question the nature of the artwork and the role of the artist in a society shaped by mass media.

Lichtenstein's works are now exhibited in the world's most prestigious museums, including the Museum of Modern Art in New York and the Tate Modern in London. His characteristic comic images, which are unmistakable in their style, have inspired generations of artists and are considered key works in modern art history.

Exhibitions

  • 04.04.2022 - 05.06.2022 Roy Lichtenstein: History in the Making – Columbus Museum of Art, Columbus.
  • 27.11.2021 - 08.05.2022 Pop Art | From Warhol To Panamarenko – Stedelijk Museum voor Actuele Kunst, Ghent.
  • 24.09.2021 - 09.01.2022 The Cool and the Cold. Malerei aus den USA und der UdSSR 1960–1990 – Gropius Bau, Berlin.
  • 19.06.2021 - 12.09.2021 Sweet Lies. Fiktionen der Zugehörigkeit - Ludwig Forum, Aachen.
  • 19.06.2021 - 12.09.2021 Lovely Creatures - Tiere, Monster, Menschen in der Kunst - Ludwig Forum, Aachen.
  • 29.05.2021 - 22.11.2021 Acrimboldo Face to Face – Centre Pompidou-Metz, Paris.
  • 07.05.2021 - ∞ Wonderland – Albertina, Vienna.
  • 05.03.2021 - 04.04.2021 Roy Lichtenstein – Broad Art Museum, East Lansing.
  • 23.01.2021 - 24.05.2021 Nachleuchten. Nachglühen - Kunsthaus Baselland.
  • 01.07.2020 - 25.04.2021 MISFITTING TOGETHER - MUMOK Wien, Vienna.
  • 20.06.2020 - 23.08.2020 Mapping the Collection – Museum Ludwig Köln, Cologne.
  • 03.04.2020 - 26.07.2020 Pop on Paper. Von Warhol bis Lichtenstein – Kulturforum Berlin/ Gemäldegalerie, Berlin.
  • 08.02.2020 - 14.06.2020 Sight Seeing – Kunsthalle Emden.
  • 08.11.2019 - 15.03.2020 Der montierte Mensch / The Assembled Human - Museum Folkwang, Essen.
  • 06.11.2019 - 11.01.2020 ACCROCHAGE - Galerie Boisserée, Cologne.
  • 01.09.2019 - 31.12.2019 Westkunst - Ostkunst. A Selection from the Collection - Ludwig Museum - Museum of Contemporary Art, Budapest.
  • 18.05.2019 - 18.08.2019 Frozen Gesture. Gesten in der Malerei - Kunst Museum Winterthur.
  • 09.06.2018 - 22.04.2019 ZERO - Museum of Old and New Art, Hobart.
  • 12.07.2018 - 14.10.2018 A Tale of Two Worlds - Museo de Arte Moderno de Buenos Aires.
  • 09.12.2017 - 21.05.2018 AMERICA! AMERICA! HOW REAL IS REAL? - Museum Frieder Burda, Baden-Baden.
  • 01.11.2017 - 04.11.2018 From the Collection: Artists at Mid to Late Career - The Museum of Modern Art, New York.
  • 21.06.2017 - 19.08.2017 ROY LICHTENSTEIN (Manhattan 1923 – 1997 Manhattan) - Galerie Boisserée, Cologne.
  • 09.03.2017 - 18.06.2017 The American Dream - pop to the present - British Museum, London.
  • 19.03.2016 - 24.07.2016 From Kandinsky to Pollock. The Art of the Guggenheim Collections - Palazzo Strozzi, Florence.
  • 24.02.2016 - 15.05.2016 International Pop - Philadelphia Museum of Art, Philadelphia.
  • 17.09.2015 - 24.01.2016 The EY Exhibition: The World Goes Pop - Tate Modern, London.
  • 11.07.2015 - 18.10.2015 American Icons: Masterworks from SFMOMA and the Fisher Collection - Musée Granet, Aix-en-Provence.
  • 26.06.2014 - 31.01.2015 Roy Lichtenstein: Intimate Sculptures - FLAG Art Foundation, New York.

 

Awards

  • 1996: Honorary doctorate in fine arts from the George Washington University, Washington, D.C.
  • 1995: Kyoto Prize, Kyoto.
  • 1993: Amici de Barcelona Award, L’Alcalde de Barcelona.
  • 1991: Creative Arts Award, Brandeis University.
  • 1979: Honorary doctorate in fine arts from Southampton College, New York.
  • 1953: Award for woodcut at Contemporary Printmaking Exhibition, Ohio State University.
  • 1951: Museum Purchase Award, Brooklyn Museum.

 

Films

  • Roy Lichtenstein. Documentation by Chris Hunt, 51 min, USA 1991.
  • Roy Lichtenstein. Porträt, Documentation by Michael Blackwood, 43 min, Germany 1975.

 

Literature

  • Roy Lichtenstein: 1923-1997. Die Ironie des Banalen, Janis Hendrickson, Cologne 2016.
  • Lichtenstein - posters, exhibition catalog, Jürgen Döring & Claus von der Osten, Munich, London, New York 2013.
  • Roy Lichtenstein - black & white 1961 - 1968, exhibition catalog, Isabelle Dervaux (Publ.), Ostfildern 2011.
  • Roy Lichtenstein: posters and more, exhibition catalog, Christine Vogt (Publ.), Oberhausen 2011.
  • Roy Lichtenstein: Kunst als Motiv, exhibition catalog, Gianni Mercurio, Cologne 2010.
  • Roy Lichtenstein und Ostasien, Karen Bandlow, Petersberg 2007.
  • Die Parodie im Frühwerk Roy Lichtensteins: Comic-Gemälde 1961-1964, Eva Wattolik, Kromsdorf 2005.
  • Roy Lichtenstein, classic of the new, exhibition catalog, Eckhard Schneider (Publ.), Cologne 2005.
  • Roy Lichtenstein - Spiegelbilder 1963 - 1997, exhibition catalog, Gerard Hadders (Publ.), Ostfildern-Ruit 2000.
  • Roy Lichtenstein, exhibition catalog, Delia Ciuha (Publ.), Ostfildern-Ruit 1998.

 

Collections

Germany

 

England

 

Japan

 

Austria

 

Spain

 

USA

 

Weblinks